After weighing all the pros and cons, I applied to the only one master’s program in the field of contemporary art — the Master of Creative Practice at Unitec Institute of Technology. Fortunately, I was accepted. And it turned out later that I made the right choice!
Despite a slight delay in receiving my visa (that’s why I missed the first two weeks of the program), the institute’s lecturers showed exceptional care. They helped me to adapt and catch up with the rest of the group. Early in the course, I was even lucky enough to meet the Head of the Department of Creative Industries at Unitec. That meeting was especially valuable to me. Not only did she offer me personal support, but also found the time to help me resolve some academic issues directly.
Strengths of the program
Overall, the postgraduate department of the Faculty of Creative Industries is relatively small, which fosters a friendly and supportive relationship between students and lecturers. It’s especially worth noting that the lecturers here show genuine interest in each student’s success from the very beginning. It is something that sets Unitec apart from more conservative universities in New Zealand offering similar programs.
Professionalism, a personal approach, genuine care, and a willingness to help, these are the words that best describe the teaching staff at Unitec’s Faculty of Creative Industries.
As for the learning process itself, it is highly focused on independence and self-discipline, which is typical for master’s programs. One of the main advantages is the freedom to explore any topic of personal interest, research it in depth. And bring it to life visually within one of the many creative disciplines. And there are more than 10 options of such disciplines to choose from. In my case, it’s contemporary painting.
Weaknesses of the program
One downside of the program is that I have to spend a significant amount of money on art supplies. Such as paints, canvases, primers, thinners, drawing materials, etc. And that can be quite a financial burden. Especially since many things in New Zealand are expensive, and anything related to art is even more so.
At times, I also wish I received more specific feedback and guidance from the lecturers regarding my work. Due to Western tolerance and political correctness, they rarely give direct instructions what should you do or improve. In the end, much depends on the student’s own initiative.
Overall, though, I’m satisfied with my studies and look forward to successfully completing the program next year!
Read more about professional training for designers in New Zealand